The collection of the complete sculptural alphabet, developed by designer Paola Vilas, is in Vogue Italy this month. With a personalized fashion, expressing the identity, several jewelry companies created their alphabet with initials in different size, color and font.
https://abest.com.br/wp-content/uploads/2021/01/Schermata-2021-01-12-alle-11.20.20.png897720abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 14:17:232024-06-01 14:33:14Paola Vilas in Vogue Italy
ALWAYS ON | Pós NRF 2021 is an exclusive event hold by Vimer, a Brazilian company specialized in Visual Merchandising, to share the first chapter main insights from the largest retail trade show in the world, the NRF (National Retail Federation), which brings together major names of the industry in New York to present annual retail news and trends.
The event will take place on February 2nd in a talk that will feature the dynamism and specialized curatorship of Camila Salek, Vimer founding partner, exploring inquiries, strategies and actions to guide the next steps of retail in Brazil based on innovations that are on the industry global agenda.
The event is available, free of charge in order to share more information, to all professionals who work in retail companies.
https://abest.com.br/wp-content/uploads/2021/01/d-1.png7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 14:15:312024-06-01 14:33:14ALWAYS ON | Pós NRF 2021
Iorane invites fine artist Flávia Junqueira to create a playful, magical and joyful installation in the form of colors, lights and elements- with fond memories from childhood along with welcoming and celebrating feelings-, for the winter collection 2021.
“The current moment asks, more than ever, for us to once again believe in the magic of dreams and the possibilities that the future holds. And to live this magic, why not go back to the heyday of when we were children, when we saw in the world a great space for imagination and the belief that everything is possible? ” For Iorane’s new season, art is staged with fashion, and the desire to believe in the future, in the magic of dreams and imagination, is matched with the creation of the ‘Believe in Magic’ collection.
https://abest.com.br/wp-content/uploads/2021/01/d-117.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 14:11:142024-06-01 14:33:13‘Believe in Magic‘ Iorane Collection
Catarina Mina created the Olê Rendeiras project to highlight Ceará’s (a state in northeastern Brazil,) bobbin lace (a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow).
The crochet accessories brand believes in a fashion model that is focused on those who manufacture it, fashion that sustains itself in a future of collaboration, valuing the people who think, create and sew the web and history of the Ceará brand.
In 2019, QAIR, an independent energy producer company, lands on the west coast of Ceará, and determined to socially impact the region, invites Catarina Mina to create a project with the Trairi -a municipality in the state of Ceará- women.
The folks in that region have one of the most valuable handicrafts technique knowledge in Brazil: how to make bobbin lace textiles. Along with the brand’s teams, more than 100 lacemakers have worked during the past few months to develop a collection, a social delivery of the company QAIR to the region of Ceará.
After many days of work, the group did not generate the minimum wage necessary. Low sales prices, an excessive number of middlemen and similar products in many groups make sales difficult. A challenging task is suggested by the Catarina Mina Workshops method: how to learn and build with the groups, to strengthen crafts and give longevity to typologies.
Altogether there are more than 5k lace makers in the Trairi region. From the bilreiro seed- a tree in the region- the finishing of the needles is prepared, made from cardeiro (a cactus from southern South America) spines. On a pillow, many mothers and grandmothers raised their families and taught their children how to do lace, who grew up already trying on the bobbin lace and soon became also lace artisans, strengthening the tradition.
The repercussion of the collection was positive with the tailor-made launch, despite being a challenging way, a paradigm shift in the consuming way. The action was an invitation to the consumer to rethink conscious consumption and, thus, make the work of the lace makers feasible.
The Olê Rendeiras project plans, in 2021, to establish an association and organization of the 14 communities located in the region. The project aims to form a productive group, valuing bobbin lace textiles and community work.
Some pieces have already been sent to international partners in anticipation of the project being exported in future actions.
https://abest.com.br/wp-content/uploads/2021/01/d-116.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 13:55:182024-06-01 14:33:13Catarina Mina + Olê Rendeiras Project
Sustainability: what brands are prioritizing in 2021
Sustainability and conscientious consumption are the current goals to tackle as the sector learns more about its impact on the planet.
BoF looks at the issues that are likely to turn the spotlight on in 2021.
The past 12 months have radically reshaped the fashion industry, but sustainability remains one of the sector’s themes and challenges.
While the pandemic is an ongoing and immediate crisis, brands are doubling down on commitments to reduce emissions, keep clothing in a virtuous loop of recycling and tackle human rights abuses in the supply chain in a bid to mitigate the risk that the next disaster to hit the industry is environmental.
“The industry is not resilient to crisis and that is worrying,” said Morten Lehmann, chief sustainability officer of the Global Fashion Agenda, an industry advocacy group. But there’s a growing understanding that the industry needs to change if brands are to align with global climate goals and increase consumer interest in more socially responsible models.
“We see a polarization of brands, where some see sustainability as a way to become more resilient,” Lehmann added.
There’s certainly no shortage of problems to pick from, but a number of key issues are coming into focus this year as brands react to the social, economic and technological shifts of the last 12 months.
Scaling Circularity
Companies have been talking about ways to minimize waste, keep clothes in circulation for longer and scale up recycling technologies for years, but 2021 looks set to be a pivotal moment for the circular fashion movement.
The pandemic served to highlight fashion’s huge over-production problem and ratcheted up pressure within brands to find economic ways to manage excess inventory. That’s boosted the profile of the resale market, sparking the interest of luxury brands, preventing second-hand marketplaces from affecting their brand value.
Last year, Gucci partnered with The RealReal and LVMH flagged in December that it is looking at ways to integrate resale into its business.
Elsewhere, brands like Cos and Levi’s have launched their own resale offers, and second-hand platforms Poshmark and ThredUp are gearing up to go public.
Though the second-hand apparel market is still relatively small, it’s growing fast, with sales expected to more than double from $28 billion in 2019 to $64 billion in 2024, according to GlobalData estimates cited in a 2020 report by ThredUp.
Those numbers make it particularly appealing for executives looking for ways to boost their sustainability credentials and their bottom line.
The potential to shift to more circular models is set to get an additional boost in 2021 as recycling technologies that have been years in development finally begin to scale.
“The [next] key thing is going to be scaling technologies now, because a lot of them have just reached pilot scale,” said Laura Balmond, program manager for the Ellen MacArthur Foundation’s Make Fashion Circular initiative.
For instance, over the next 12 months, one of H&M Group’s suppliers is test-driving a machine that can recycle blended cotton and polyester in a factory setting for the first time, with the fast-fashion giant committed to supporting the technology’s wider rollout if all goes well. Meanwhile, textile recycling company Renewcell listed on the Swedish stock market in November, with plans to ramp up production capacity almost fivefold by 2026.
To be sure, volumes still remain fractional within the context of the global textile advancements and building on the progress made in the coming year will require long-term commitment and widespread industry collaboration.
“Circularity is a much bigger idea than just one technology, or one change in the business model,” said Balmond. “It really is looking at the whole system within which clothes are offered and how they’re made.”
The Next Big Thing: Biodiversity
Fashion brands aiming to level up sustainability ambitions are increasingly looking beyond initiatives that simply reduce harm to opportunities to have a positive impact. That’s increasing focus on one of the industry’s most poorly understood and complex environmental pain points: its effect on biodiversity.
It’s a relatively emergent topic within the fashion sector, reflecting a broader and growing awareness of the devastating impact climate change and industrial agricultural practices have had on the world.
For instance, a recent report by the World Wildlife Fund found animal population sizes have declined 68 percent since 1970 as a result of ecological disturbance that has affected around three-quarters of the planet’s ice-free land. Agricultural practices linked to many of fashion’s key raw materials are one big contributor.
The issue is expected to gain more attention next year as a central component of The Fashion Pact, a high-level coalition brought together by Kering Chief Executive François-Henri Pinault at the request of French President Emmanuel Macron in 2019.
As part of a broader set of goals intended to tackle fashion’s biggest environmental risks and pressure points, signatories committed to developing biodiversity blueprints by the end of last year. In the coming months, companies are expected to set clearer targets to develop solutions based on their findings.
“We’re so out of balance with nature at this point. And so we can’t expect nature to bounce back on its own,” said Claire Bergkamp, chief operating officer of Textile Exchange, a nonprofit aimed at improving the environmental standard of raw materials production. On the other hand, understanding and addressing biodiversity could prove pivotal in addressing the climate crisis.
“How we manage our agricultural processes is going to dictate whether or not we can actually achieve the 45 percent reduction of greenhouse gas emissions by 2030,” Bergkamp said, referring to global goals to reduce emissions to a level that would avoid catastrophic climate change.
Social Justice
Climate has dominated fashion’s discourse on sustainability in recent years, but the cultural unraveling and economic devastation caused by the pandemic has shifted focus back onto long-standing social challenges.
From Leicester to Dhaka to Xinjiang, reports of labor rights violations in the garment and textile industry have piqued the attention of consumers, investors and policymakers. The reports haven’t simply served as fodder for PR scandals; they’ve also increased regulatory scrutiny, hit share prices and sent investors running.
The crisis has raised the profile of calls from human rights campaigners and labor advocates to address long-standing problems in the fashion supply chain, pushing for more systemic change to ensure workers are paid living wages and guaranteed decent working conditions.
But the pressure to change isn’t just coming from labor rights groups. Allegations of widespread human rights abuses in China’s Xinjiang autonomous region, where one-fifth of the world’s cotton is produced, have left the industry exposed to intense regulatory scrutiny on both sides of the Atlantic. The United States has said it will bar entry of all cotton products and tomatoes imported from the region.
It’s a challenge for the fashion industry, which has little visibility over the raw materials origin in its supply chain, but it’s ratcheting up pressure for brands to optimize its system.
“For a large percentage of the industry, that lack of traceability and the lack of long-term, equal partnerships with manufacturers, and the vulnerability of many manufacturing countries with their weak institutional setups, has really come to the fore in 2021,,” said Lehmann of GFA.
The coming year presents new challenges that threaten the fundamental business of fashion, but it also presents an opportunity to improve practices that have failed to meaningfully advance for years.
“We can’t go back to business as usual,” said Amina Razvi, executive director of the Sustainable Apparel Coalition. “That would be the worst outcome.”
https://abest.com.br/wp-content/uploads/2021/01/d-113.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 13:50:342024-06-01 14:33:12BOF Sustainability: what brands are prioritizing in 2021
After the premiere Locked Down film, starring Anne Hathaway, the actress used her garden to make the “red carpet”.
In the photo session, Anne wore three luxurious dresses: one Versace copper, one Azzaro gold and one Vivienne Westwood blue, and jewelry signed by Brazilian designer Ana Khouri.
https://abest.com.br/wp-content/uploads/2021/02/d-2.png7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-25 13:46:542024-06-01 14:33:11Anne Hathaway wears jewelry Ana Khouri
Oskar Metsavaht, who is founder and creative director of the Brazilian fashion brand Osklen, Unesco Goodwill Ambassador for Culture of Peace and Sustainability, Director of OM.Art and president of Instituto-E, develops a series of projects beyond the fashion industry, as the case of the recent partnership established with Portobello, a leading ceramic tile company.
Recognized as a benchmark in sustainable human development, Oskar founded Instituto-E more than 20 years ago through which he implements several projects focused on sustainability with partners such as UNESCO, the Ministry of the Environment of Italy, the UN Ethical Fashion Initiative, among others .
The partnership between Instituto-E and Portobello took place through the consultancy project, which consists of mapping, analyzing and implementing sustainability criteria based on the pillars: social, economic and environmental, improving the scarcer areas and organizing the performance in a systemic way. Based on the diagnosis, the institute creates a series of guidelines for the company to be able to evolve in the implementation and improvement of its decision making to maximize positive socioenvironmental impacts, combining such efforts with communication under the bias of sustainability to engage and inspire different audiences .
Also in conjunction with Portobello, the Ipanema line was born by Oskar Metsavaht, expressing creativity, modernity and authenticity. The collection was inspired by the archetype of the neighborhood, using the raw material that represents the boardwalk, an Ipanema brand. The pieces bring textures, colors and nuances, reproducing the Portuguese stone from the sidewalk, and maximosaicos in irregular shapes, simulating its asymmetry. Also, the line of decorated tiles, Neotropical, inspired by the design of the Ipanema boardwalk.
https://abest.com.br/wp-content/uploads/2021/01/destaque-1.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-19 14:25:202024-06-01 14:33:09Oskar Metsavaht and Portobello
The hand-made tradition has joined design, with originality and creative culture, inspiring a timeless collection by Paula Ferber and Pedro Sedó.
The partnership concept is home affective rescue experience, as a self-care refuge, in rugs and baskets woven in green EVA launching, EVA and metallic synthetic leather in Vallvé store.
https://abest.com.br/wp-content/uploads/2021/01/destaque-2.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-19 14:24:462024-06-01 14:33:09Paula Ferber Casa + Vallvé
Business of Fashion, one of the largest fashion platforms in the world, lists the 10 themes that will define the fashion industry in 2021. The change caused by the Covid-19 crisis in consumer behavior and markets will force companies to find the right way to discover digital innovation and reimagine physical retail.
Living with the virus
The Covid-19 crisis affected millions of people, and interrupted international trade, travel, economy and consumer behavior. In order to manage the levels of uncertainty in 2021, companies should rewire their operating models to enable flexibility and faster decision-making, and balance speed against discipline in the pursuit of innovation.
Diminished Demand
After the 2020 recession, the global economy is expected to partially recover in the coming year, but economic growth will remain diminished relative to pre-pandemic levels. In fashion, with unemployment and growing inequality, companies should seize new opportunities and double down on outperforming categories and channels.
Digital Sprint
Digital adoption has soared during the pandemic, with many brands going online and embracing digital innovations. With acceleration and demand for increasingly sophisticated digital interactions, the fashion market must optimize online experience and the mix of channels.
Seeking Justice
During crisis, consumers became more aware of the plight of vulnerable employees in the fashion value chain. As the drive for change grows along with campaigns to end exploitation, consumers are looking for more dignity, security and justice for workers across the global industry.
Travel Interrupted
The travel and tourism retail sector suffered throughout 2020. International tourism is expected to remain subdued in the coming year, and companies will need to become better involved with local consumers, make strategic investments in markets with greater recovery, and seek new opportunities to recover customer purchases.
Less is More
After demonstrating that more products and collections do not necessarily yield better financial results, the Covid-19 crisis highlighted the need for a change in the profitability mindset. Companies need to reduce complexity and find ways to increase the total sales price to reduce inventory levels, taking a demand-focused approach to their assortment strategy, while increasing flexible reactivity during the season for new products and replenishment.
Opportunistic Investment
Performance polarisation in the fashion industry accelerated during the pandemic. In 2021, mergers and acquisitions are expected to increase as companies gain market share and new opportunities, expanding capabilities.
Deeper partnerships
By exposing the vulnerability of purchasing partners, the weakness of contracts and the risks of the supplier, the crisis accelerated many changes that companies were already making to rebalance their supply chains. To mitigate future risks, fashion players must move away from transactional relationships in favor of deeper partnerships that bring greater agility and accountability.
Retail ROI
Physical retail has been in a downward spiral for years and the number of permanent store closure will continue to rise in the post-pandemic period, compelling fashion players to rethink their retail footprints.
Work revolution
Driven by fundamental changes in the way companies worked during the pandemic and the need to drive performance in the years to come, an enduring new model for work is likely to emerge. Companies should therefore refine their blends of remote and on-premises work, invest in reskilling talent and instil a greater sense of shared purpose and belonging for employees.
https://abest.com.br/wp-content/uploads/2021/01/destaque-1.jpeg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-01-19 14:11:382024-06-01 14:33:08The 10 themes for a 2021 fashion agenda