New member AM Brazil by Amanda Medrado creates handmade accessories with natural resources and sustainable raw materials, fomenting a creative context of art, regionalism and innovation.
The brand seeks inspiring projects, conveying emotion to all collections with the union of concepts, cultures and techniques.
Together with a group of artisans who work with carnauba (a native palm tree) straw in the interior of Ceará (state located in the northeastern of Brazil), the Paba project was born to create accessories with art, design and local raw material. Later on, the Paba Tremembé nucleus was created, uniting creators, new markets and the technique of the local artisan.
The project has the purpose of honoring manual labor value, generating productivity and income for women in small municipalities, and connecting the artisan’s technique to design, behavioral trends and consumption needs.
The brand, connected with innovation, the preservation of the environment and with the community expresses fun, creative and conscious design in the collections core, developing sophisticated products with elements and cultural identity.
https://abest.com.br/wp-content/uploads/2021/03/d-3.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-03-02 11:21:272024-06-01 14:46:57Welcome AM Brazil, Abest new member
According to Vogue, Copenhagen, voted the greenest capital in Europe, one of the ten best places to live in the world, and home to one of the largest and most important fashion summits, announced a sustainability action plan during the fashion week, which encourages and evaluates brands to act in a more conscious and responsible manner.
“This moment serves to reaffirm what we believe: that fashion weeks need to take action to drive a sustainable transition within the fashion industry and not just be a platform to showcase collections,” Cecilie Thorsmark, CFW CEO.
CO2 emissions from a fashion week – compared to the manufacturing impact – are small. Approximately 70% of emissions are from upstream operations, such as production and processing of materials. While CFW is working to reduce its own emissions and plans to return to being a live event, its biggest influence will be in reducing negative impacts within the industry in general.
“CFW can play a vital role in setting a global agenda”, “its action plan encourages participating brands to become more sustainable in a relatively short period of time” say Rikke Baumgarten and Helle Hestehave, founders of Baum und Pferdgarten.
The CFW 2023 action plan includes 17 minimum requirements that brands will have to meet to accelerate the sustainable transition – such as not destroying unsold clothing, having at least 50% certified, organic, recycled or reused textiles in all collections and to use only sustainable packaging.
The guidelines now also state that brands must offer equal opportunities and operate a safe, healthy and respectful work environment for all employees, free from harassment and discrimination. “We wanted to develop work guidelines that considered all aspects of the business value chain,” says Thorsmark. “You could get a high score, but neglect to consider an area such as working conditions – that’s what motivated us to add minimum standards.” “In our world, you have to look at sustainability holistically. I don’t think you can call yourself a sustainable brand if you’re not actively working throughout your entire value chain”.
For now, Copenhagen is an exception in the monthly fashion calendar with a minimum standard of sustainability for the participating brands, but CFW CEO expects other platforms to use work guidelines.
” If we want to have a real impact globally on the fashion industry, then it’s not just CFW that should be doing it”, said Thorsmark. “The industry is definitely receptive to change now”, “most brands have embarked on their sustainable journey”, “we need other fashion weeks and other major fashion platforms to continue with that work too”.
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Beachwear brand with authentic DNA Gapaz, displayed through exclusive all over prints, high quality fabrics and strategic cutouts in its pieces, develops a unique partnership with Atelier Customize, made by women, in the Lapa neighborhood in São Paulo.
The Atelier provides third party services for large-scale clothing manufacturing with a focus on handicrafts using various techniques of printing, dyeing and airbrushing.
With a 100% handmade process, Atelier Customize brings a distinctive work of dyeing and techniques to the Gapaz manufacturing pieces, with a unique and exclusive beachwear concept.
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The Dotz project is linked to the United Nations Sustainable Development Goals as an ecosystem of alternative businesses based on 4 pillars: collaboration, cooperation, sustainability and economic management.
The brand works with agro ecological cotton produced in collaboration with small family farmers in Paraíba (a state in Brazil’s Northeast known for its tropical coastline and Portuguese colonial architecture), upcycling materials and vegan fabrics, promoting responsible production and conscious consumption.
Dotz is involved in the entire textile production chain, from cotton harvesting, ginning (separation of the seed and cotton fiber), spinning and weaving and, finally, shoe manufacturing. Each step of the production processes is done with different partnerships, making the chain viable.
The project aims to inspire another way of doing business, an alternative system that promotes a balance between quality, sustainability and society, establishing new standards for good commercial practices, which have a positive impact on society and the environment.
It all starts with an innovative artisanal production method from the origin of the raw materials to the way the shoes are manufactured. The process is based on the belief that collaboration drives innovation, and that sustainability and profitability can work side by side.
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Colab Cores do Oriente (Colors of the East), by Batiche + Caroline Kuchkarian, shows a mix and match of check pattern colors and it was inspired by a 3000 years old shawl seen on a visit to a museum with replicas of ancient synagogues, in Israel.
The beachwear brand Batiche designer, Natalie Basiches, was delighted with the shawl plaid and colors and developed an all over print for partnership with the beachwear brand, Caroline Kuchkarian.
The new collection showcases bikinis with recycled PET bottle mesh with UV 50+ sun protection, and the cover-ups fabrics are 100% cotton, bringing cheerful colors and a thousand combination possibilities.
Angelina Jolie was the British Vogue’s March 2021 cover, in Ana Khouri’s jewelry, Cristina Earring and Maia Ring.
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Last September, the first fashion week edition during the pandemic can be considered a fluke. The second edition is starting to look like the future.
With the vaccination program, consumers, workers and companies can make post-pandemic plans with a little more confidence, although they are not yet out of danger.
Fashion platforms Bof (Business of Fashion) and Vogue showed the trends for Fashion Week 2021. A forked calendar is taking shape, where those with prestige, marketing and production budgets show when and where they want, as niche and emerging designers come together in the fashion week itself.
At New York fashion week- reformulated as “The American Collections Calendar”- most brands showed collections between February 14th and 17th, with Jason Wu opening the week with a live catwalk following social distance protocols and Tom Ford ending the season. The New York Men’s Day took place on February 15th, with A. Potts, Ka Wa Key and Timo Weiland among the showcased brands.
In London (19th to 23rd February), despite having an interim schedule at the moment, British Fashion Council (BFC) has announced that it will showcase 95 fashion designers: 34 from women’s fashion, 22 from men’s fashion, 29 gender neutral and 10 accessory brands. The collections will be shown predominantly in virtual format, through the Official LFW Digital Hub online platform.
In Milan (February 23rd to March 1st), the season’s schedule is the following: 61 catwalks, 57 presentations and by appointment events (15 live and 42 digital), plus six other shows – totaling 124 events. And again, its digital platform will house other areas, such as a room dedicated to Italian students, in addition to virtual showrooms for buyers.
Finally, Paris fashion week is scheduled from March 1st to 9th, but its schedule is yet to be known.
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Osklen AG represents the manufacture of its AG sneakers with sustainable ingredients and processes in partnership with Instituto-E, following the mission of encouraging a more conscious human development.
The project promotes income generation and the empowerment of riverine groups, indigenous and communities in Brazil, with the adoption of habits and actions aligned with the principles of sustainability to generate increasingly positive socio-environmental impacts following the ASAP concept (As Sustainable as Possible, as soon as possible).
From reused waste (discarded tires, cork, rice straw, sugar cane, cotton yarn and canvas waste recovered from landfills) to fully traceable leather, the sneaker line uses e-fabrics, raw materials of sustainable origin developed in partnership with Instituto-E, (Upper section made with in Eco Canvas made from recycled fibers and cotton that uses less water in the process, helps preserve groundwater and prevents CO2 emissions; Upper section made with in certified bovine leather, with guarantee of traceability, correct environmental practices and zero chromium), 70% of the green EVA produced with sugar cane cultivated in Brazil and the natural latex from the Amazon, which strengthens the standing forest economy and the work of the Rede de Cantinas da Terra do Meio with Origens Brasil® (a network hub that connects companies to sustainable production chains), which protects more than 8 million hectares of indigenous lands and conservation units threatened by deforestation and illegal logging.
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Brazil is the 4th largest producer and 2nd largest cotton exporter worldwide. More than 75% of domestic production has socio-environmental certification. The cotton produced in Brazil by Abrapa (Brazilian Association of Cotton Producers) members follows criteria such as the prohibition of labor of children, analogous to slavery or degrading work conditions, preserves biomes, respects and conserves natural resources and develops the economy of the producing regions.
That was how the Sou de Algodão (I’m made from cotton) came to be: at SPFW- in the main fashion week in the country- showing fashion designers, journalists and opinion makers that cotton endures in fashion and is versatile enough to follow strongly in future collections.
Since the beginning of the movement, in 2016, the numbers show how much Brazilian fashion values cotton, “in addition to having the entire vertical chain, from plume to garments production, 237 brands- from the most diverse segments- joined the movement in 2020: from small entrepreneurs to major brands, all for the sake of responsible fashion and conscious consumption ”, Júlio Cezar Busato, president of the Brazilian Association of Cotton Producers.
With the pandemic, the textile industry and fashion brands suffered immediate hits with a big drop in sales and no clear prospects for the future. Sou de Algodão created campaigns such as #produzidonobrasil (#madeinbrazil). The movement’s exclusive tag brought the message of appreciation for the domestic production chain to all brands that want to communicate the partnership. Used in products with a minimum composition of 70% cotton, Sou de Algodão has distributed over 7.5 million tags to most of 350 affiliated brands.
Today, there are more than 430 affiliated brands. Some are Abest members, such as Iorane, Cecília Prado and Martha Medeiros. Other affiliated among more than 30 acclaimed fashion designers are João Pimenta, Reinaldo Lourenço, Isaac Silva, Das Haus (Rober Dognani and Felipe Fanaia), Fabiana Milazzo, Angela Brito and Amapô, in addition to brands from the most diverse segments, such as MMartan and Artex, Kyly Group, Lunelli Group, Track & Field, Melissa (Grendene), Ginger- from actress Marina Ruy Barbosa, and Lojas Renner. In addition to brands that reach the final consumer, there are important and traditional conventional weaving and knitting plants and textile mills that provide the basis for the collections of all Brazilian brands, such as Vicunha, Canatiba, Covolan, Cataguases, Menegotti, Dalila Têxtil, Renauxview and G. Vallone among others.
One of the main actions this year is the 2nd challenge Sou de Algodão + Casa de Criadores, a cultural contest aimed at undergraduate students in fashion courses, design and related areas. “We designed an entire experience that, in addition to rewarding the winning student with a permanent place in the official line up of the main Brazilian fashion week, brings information and, why not, training to these young people who are the future of Brazilian fashion”, Júlio Cezar Busato, president of the Brazilian Association of Cotton Producers. Among the mandatory activities for enrollers- in addition to creating an exclusive collection with 6 complete looks- the movement offers a series of videos with tips from experts on various topics, such as cotton, sustainability, fashion, styling and fashion show production among other topics.
Another planned action is an activation at the point of sale with affiliated brands of the movement to get closer and talk to the consumer, explaining what it means to take home a piece made with this natural fiber so important for the industry, for families and for the country’s economy.
They also initiate two new pillars: the business one, involving affiliated brands, and the colleges one, aiming to establish partnerships with the country’s fashion education institutions.
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The new Abest member, Tatiana Loureiro, began its history in 2010 as the first Brazilian brand specialized in women’s flats.
In 2016 the brand expanded its product repertoire, without neglecting its essence of comfort combined with casual chic style, and expanded its line including the medium heel (up to 7 cm- around 2.8 inches) in its collection mix.
Today, 2021, with selected shoes suppliers, a brand specialized in flats with four physical stores and an e-commerce, Tatiana Loureiro debuts a new logo and visual identity in coral hue, representing in the brand the vibration, the strength and the purpose of strengthening women.
https://abest.com.br/wp-content/uploads/2021/02/d-15.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-02-11 11:22:432024-06-01 14:36:49Tatiana Loureiro, a brand in motion