Osklen AG represents the manufacture of its AG sneakers with sustainable ingredients and processes in partnership with Instituto-E, following the mission of encouraging a more conscious human development.
The project promotes income generation and the empowerment of riverine groups, indigenous and communities in Brazil, with the adoption of habits and actions aligned with the principles of sustainability to generate increasingly positive socio-environmental impacts following the ASAP concept (As Sustainable as Possible, as soon as possible).
From reused waste (discarded tires, cork, rice straw, sugar cane, cotton yarn and canvas waste recovered from landfills) to fully traceable leather, the sneaker line uses e-fabrics, raw materials of sustainable origin developed in partnership with Instituto-E, (Upper section made with in Eco Canvas made from recycled fibers and cotton that uses less water in the process, helps preserve groundwater and prevents CO2 emissions; Upper section made with in certified bovine leather, with guarantee of traceability, correct environmental practices and zero chromium), 70% of the green EVA produced with sugar cane cultivated in Brazil and the natural latex from the Amazon, which strengthens the standing forest economy and the work of the Rede de Cantinas da Terra do Meio with Origens Brasil® (a network hub that connects companies to sustainable production chains), which protects more than 8 million hectares of indigenous lands and conservation units threatened by deforestation and illegal logging.
https://abest.com.br/wp-content/uploads/2021/02/d-18.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-02-16 22:36:452024-06-01 14:42:29Osklen AG sneakers uses the best sustainable practices
Brazil is the 4th largest producer and 2nd largest cotton exporter worldwide. More than 75% of domestic production has socio-environmental certification. The cotton produced in Brazil by Abrapa (Brazilian Association of Cotton Producers) members follows criteria such as the prohibition of labor of children, analogous to slavery or degrading work conditions, preserves biomes, respects and conserves natural resources and develops the economy of the producing regions.
That was how the Sou de Algodão (I’m made from cotton) came to be: at SPFW- in the main fashion week in the country- showing fashion designers, journalists and opinion makers that cotton endures in fashion and is versatile enough to follow strongly in future collections.
Since the beginning of the movement, in 2016, the numbers show how much Brazilian fashion values cotton, “in addition to having the entire vertical chain, from plume to garments production, 237 brands- from the most diverse segments- joined the movement in 2020: from small entrepreneurs to major brands, all for the sake of responsible fashion and conscious consumption ”, Júlio Cezar Busato, president of the Brazilian Association of Cotton Producers.
With the pandemic, the textile industry and fashion brands suffered immediate hits with a big drop in sales and no clear prospects for the future. Sou de Algodão created campaigns such as #produzidonobrasil (#madeinbrazil). The movement’s exclusive tag brought the message of appreciation for the domestic production chain to all brands that want to communicate the partnership. Used in products with a minimum composition of 70% cotton, Sou de Algodão has distributed over 7.5 million tags to most of 350 affiliated brands.
Today, there are more than 430 affiliated brands. Some are Abest members, such as Iorane, Cecília Prado and Martha Medeiros. Other affiliated among more than 30 acclaimed fashion designers are João Pimenta, Reinaldo Lourenço, Isaac Silva, Das Haus (Rober Dognani and Felipe Fanaia), Fabiana Milazzo, Angela Brito and Amapô, in addition to brands from the most diverse segments, such as MMartan and Artex, Kyly Group, Lunelli Group, Track & Field, Melissa (Grendene), Ginger- from actress Marina Ruy Barbosa, and Lojas Renner. In addition to brands that reach the final consumer, there are important and traditional conventional weaving and knitting plants and textile mills that provide the basis for the collections of all Brazilian brands, such as Vicunha, Canatiba, Covolan, Cataguases, Menegotti, Dalila Têxtil, Renauxview and G. Vallone among others.
One of the main actions this year is the 2nd challenge Sou de Algodão + Casa de Criadores, a cultural contest aimed at undergraduate students in fashion courses, design and related areas. “We designed an entire experience that, in addition to rewarding the winning student with a permanent place in the official line up of the main Brazilian fashion week, brings information and, why not, training to these young people who are the future of Brazilian fashion”, Júlio Cezar Busato, president of the Brazilian Association of Cotton Producers. Among the mandatory activities for enrollers- in addition to creating an exclusive collection with 6 complete looks- the movement offers a series of videos with tips from experts on various topics, such as cotton, sustainability, fashion, styling and fashion show production among other topics.
Another planned action is an activation at the point of sale with affiliated brands of the movement to get closer and talk to the consumer, explaining what it means to take home a piece made with this natural fiber so important for the industry, for families and for the country’s economy.
They also initiate two new pillars: the business one, involving affiliated brands, and the colleges one, aiming to establish partnerships with the country’s fashion education institutions.
https://abest.com.br/wp-content/uploads/2021/02/d-17.jpg7001000abehttps://abest.com.br/wp-content/uploads/2024/06/abest-logo-300x227.pngabe2021-02-16 22:31:562024-06-01 14:42:28The Sou de Algodão (I'm made from cotton) Movement
The new Abest member, Tatiana Loureiro, began its history in 2010 as the first Brazilian brand specialized in women’s flats.
In 2016 the brand expanded its product repertoire, without neglecting its essence of comfort combined with casual chic style, and expanded its line including the medium heel (up to 7 cm- around 2.8 inches) in its collection mix.
Today, 2021, with selected shoes suppliers, a brand specialized in flats with four physical stores and an e-commerce, Tatiana Loureiro debuts a new logo and visual identity in coral hue, representing in the brand the vibration, the strength and the purpose of strengthening women.
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Beg For Fun, a startup of the fashion and design agency OESTUDIO, is a Rio de Janeiro based brand that manufactures handbags, scarves, backpacks, wallets, sneakers, purses and cosmetic bags without using animal skin, only high-tech textiles in its pieces.
Their goal is to become a global brand, always depicting the joy and colors of Rio de Janeiro’s DNA. Aimed at a customer that enjoys images, entertainment and travel, the products are available in different sizes and are divided into the following lines:
TROPICAL, featuring Brazilian themes.
MUSEO, featuring public domain images and running special demands for museums that want to invest in their own lines.
COLLAB, a line of bags made by invited fine artists and illustrators.
BFF SPECIALS, special themes chosen by collection.
COLOR BLOCK, a product line with flat bold colors.
In addition, BFF creates and manufactures bags for other brands interested in developing a special collection with BFF styles.
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Brazilian fashion designer Sinesia Karol, celebrated for her beachwear collections, debuts her first children’s line. Alitai, an acronym in honor of her daughters Alle and Thais, introduces comfortable pieces with quality and sophistication.
The line has a fresh approach, with timeless children’s fashion collections for girls from 2 to 12 years old and matching swimming trunks for fathers and boys.
The location chosen for the brand’s first store is Trancoso beach, in Bahia state, which since 2014 has a previous store for its beachwear brand. In the first semester of 2021 corners will be opened inside Sinesia Karol stores located in Fasano Hotel in Angra dos Reis and Fazenda Boa Vista, in São Paulo state.
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Beachwear and lifestyle brand, Água de Coco, one of the main brands in the Brazilian fashion industry with international presence and recognition, travels to Jericoacoara (located on the northeastern coast of Brazil, in the state of Ceará) together with Brazilian model and TV presenter Renata Kuerten.
The experience of getting to know one of the main natural heritage sites of the country up close ended up with a meeting with the Associação das Crocheteiras (Women’s Crochet Association), set up by women artisans who do manual work with crochet.
Currently, the Association benefits – directly and indirectly – more than 100 families in the region and exports to four countries: France, the United States, Germany and Italy. Crochet craft is not just a local tradition; it redeems self-esteem, empowers and provides financial independence to women.
Believing in the power that colors have to transform environments and people, the brands Água de Coco and Tintas Iquine, the largest paint industry in Brazil with 100% domestic capital, started a project to revitalize the façade of the Association’s store, located in the center of the fisherman’s village.
Fine artist Auxi was in charge of the façade revitalization with a flower print design, portraying the empowerment and strength of the female union and printing the art that reflected throughout the community.
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Sabine Arias, an authorial and contemporary luxury brand, portrays the founder’s lifestyle with a romantic influence and a modern touch.
Her inspiration is the unpretentious carioca (a native of Rio de Janeiro) fashion style in the fluidity of her creations- and versatility is essential- with pieces that can move around in different places maintaining their natural sophistication.
Brazilian native design has always been part of the brand’s DNA, with textures, hand-painted or washed textiles and local materials creating its essence. It is the perfect product for the target consumer of the brand: an elegant and contemporary woman.
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Beira was born in 2013 from a research project by Lívia Cunha Campos focused on design, functionality and object development. The first collection debuted in 2015 for the domestic and the international market.
The brand’s core, from design- with focus on their potential utility and usability and cuts & shapes that fit into a variety of different body types- to the garments manufacturing, is the atelier located in Rio de Janeiro. The garments are created with functionality and versatility, in a continuous creative process of a seasonless and unified collection.
“The word ‘beira’ (edge, in english) embodies the notion of transition or intersection. We use our designs as a means of communicating the experimental processes that take place in the atelier and encourage our customers to explore our garments from the inside out, letting the sewing and exposed threads speak for themselves. ”
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The Altino Arantes building -an important Art deco skyscraper, headquarters of Farol Santander (a prominent 35-floor skyscraper with cultural exhibits & an observation deck for city views) in São Paulo, features from January 22nd until April 4th, 2021- 10 am to 8 pm (Tuesday to Sunday)- on the 19th and 20th floors- the exhibition A Arte da Moda – Histórias Criativas (The Art of Fashion – Creative Stories).
The exhibition shows, with the curatorship of Giselle Padoin, the relationship between fashion and art through a timeline, revealing the development of studios in Brazil and Europe, with more than 170 items that tell the history of fashion and its evolution from classic to contemporary, and the influence of the Parisian aesthetic revolution on artists and cultural references around the 1910s.
The exhibition showcases Sissa, a Brazilian fashion brand, with garments that rescue the country’s originality with authorial identity and handcrafted creations. Alessandra Affonso Ferreira, the fashion designer behind Sissa, mixes her private repertoire with the global vision of the contemporary fashion universe and the most varied cultural references.
The collection features eighteen pieces, featuring drawings and painting materiais, as well as videos and demonstrations of the manual weaving work in the city district of Muquém, Minas Gerais state, fabric recycled by women from the community of Minas Gerais, taking advantage of the textile residue from production.
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A mother and daughter duo, Karina and Ana Karolina Ferrari, seek to translate art into the design of ANK pieces, bringing out the feminine sensibility in the jewelry technique.
Karina had the business wisdom to trace the brand’s mission and values, and the designer, Ana Karolina Ferrari, absorbed different cultural insights to visualize the unique and timeless design of the ANK collections.
The brand’s moral engagement is aligned with sustainable development, choosing conscious business partners and jewelry made with recycled 18K gold. The recycling cycle takes place with the purchase of antique jewelry and the purification of gold to 24K, proceeding to the manufacturing of handcrafted jewelry in recycled 18K gold. Mother and daughter sign all creations.
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